WASHINGTON DC — (Scheerpost) —The persecution of Julian Assange, along with the climate of fear, wholesale government surveillance and use of the Espionage Act to prosecute whistleblowers, has emasculated investigative journalism. The press has not only failed to mount a sustained campaign to support Julian, whose extradition appears imminent but no longer attempts to shine a light into the inner workings of power. This failure is not only inexcusable but ominous.
The U.S. government, especially the military and agencies such as the CIA, the FBI, the NSA and Homeland Security, have no intention of stopping with Julian, who faces 170 years in prison if found guilty of violating 17 counts of the Espionage Act. They are cementing into place mechanisms of draconian state censorship, some features of which were exposed by Matt Taibbi in the Twitter Files, to construct a dystopian corporate totalitarianism.
The U.S. and the U.K. brazenly violated a series of judicial norms and diplomatic protocols to keep Julian trapped for seven years in the Ecuadorian Embassy after he had been granted political asylum by Ecuador. The CIA, through the Spanish security firm UC Global, made recordings of Julian’s meetings with his attorneys, which alone should invalidate the extradition case. Julian has been held for more than four years in the notorious Belmarsh high-security prison since the British Metropolitan Police dragged him out of the embassy on April 11, 2019. The embassy is supposed to be the sovereign territory of Ecuador. Julian has not been sentenced in this case for a crime. He is charged under the Espionage Act, although he is not a U.S. citizen and WikiLeaks is not a U.S.-based publication. The U.K. courts, which have engaged in what can only be described as a show trial, appear ready to turn him over to the U.S. once his final appeal, as we expect, is rejected. This could happen in a matter of days or weeks.
On Wednesday night at the School of Oriental and African Studies, University of London, Stella Assange, an attorney who is married to Julian; Matt Kennard, co-founder and chief investigator of Declassified UK, and I examined the collapse of the press, especially with regard to Julian’s case. You can watch our discussion here.
“I feel like I’m living in 1984,” Matt said. “This is a journalist who revealed more crimes of the world’s superpower than anyone in history. He’s sitting in a maximum-security prison in London. The state that wants to bring him over to that country to put him in prison for the rest of his life is on record as spying on his privileged conversations with his lawyers. They’re on record plotting to assassinate him. Any of those things, if you told someone from a different time ‘Yeah this is what happened and he was sent anyway and not only that, but the media didn’t cover it at all.’ It’s really scary. If they can do that to Assange, if civil society can drop the ball and the media can drop the ball, they can do that to any of us.”
When Julian and WikiLeaks released the secret diplomatic cables and Iraq War logs, which exposed numerous U.S. war crimes, including torture and the murder of civilians, corruption, diplomatic scandals, lies and spying by the U.S. government, the commercial media had no choice but to report the information. Julian and WikiLeaks shamed them into doing their job. But, even as they worked with Julian, organizations such as The New York Times and The Guardian were determined to destroy him. He threatened their journalistic model and exposed their accommodation with the centers of power.
“They hated him,” Matt said of the mainstream media reporters and editors. “They went to war with him immediately after those releases. I was working for The Financial Times in Washington in late 2010 when those releases happened. The reaction of the office at The Financial Times was one of the major reasons I got disillusioned with the mainstream media.”
Julian went from being a journalistic colleague to a pariah as soon as the information he provided to these news organizations was published. He endured, in the words of Nils Melzer, at the time the U.N. Special Rapporteur on Torture, “a relentless and unrestrained campaign of public mobbing, intimidation and defamation.” These attacks included “collective ridicule, insults and humiliation, to open instigation of violence and even repeated calls for his assassination.”
Julian was branded a hacker, although all the information he published was leaked to him by others. He was smeared as a sexual predator and a Russian spy, called a narcissist and accused of being unhygienic and slovenly. The ceaseless character assassination, amplified by a hostile media, saw him abandoned by many who had regarded him a hero.
“Once he had been dehumanized through isolation, ridicule and shame, just like the witches we used to burn at the stake, it was easy to deprive him of his most fundamental rights without provoking public outrage worldwide,” Melzer concluded.
The New York Times, The Guardian, Le Monde, El Pais and Der Spiegel, all of which published WikiLeaks documents provided by Julian, published a joint open letter on Nov. 28, 2022 calling on the U.S. government “to end its prosecution of Julian Assange for publishing secrets.”
But the demonization of Julian, which these publications helped to foster, had already been accomplished.
“It was pretty much an immediate shift,” Stella recalled. “While the media partners knew that Julian still had explosive material that still had to be released, they were partners. As soon as they had what they thought they wanted from him, they turned around and attacked him. You have to put yourself in the moment where the press was in 2010 when these stories broke. They were struggling for a financial model to survive. They hadn’t really adapted to the age of the internet. You had Julian coming in with a completely new model of journalism.”
There followed a WikiLeaks-isation of U.S. media outlets such as The New York Times, which adopted the innovations pioneered by WikiLeaks, including providing secure channels for whistleblowers to leak documents.
“Julian was a superstar,” Stella said. “He came from outside the ‘old boys’ network. He talked about how these revelations should lead to reform and how the Collateral Murder video reveals that this is a war crime.”
Julian was outraged when he saw the heavy redactions of the information he exposed in newspapers such as The Guardian. He criticized these publications for self-censoring to placate their advertisers and the powerful.
